Monday, November 7, 2011

Big [VHS]

  • Condition: Used - Good


Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 104 minutes
A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh

Features include:

•MPAA Rating: PG
•Format: Blu-Ray
•Runtime: 104 minutes
! A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom KeoghAt a carnival, young Josh Baskin (Hanks) wishes he was big ? only to awake the next morning and discover he is! With the help of his friend Billy, Josh lands a job at a toy company. But the more he experiences being an adult, the more Josh longs for the simple joys of childhood.A perfect marriage of novel but incisive writing, acting,! and direction, Big is the story of a 12-year-old boy w! ho wishe s he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom KeoghA LITTLE BOY MAKES A WISH ON A CARNIVAL WISHING MACHINE TO BE BIG &THE WISH IS MYSTERIOUSLY GRANTED, MAKING HIM A LITTLE BOYIN A MAN'S BODY.A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, wor! k, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom KeoghA little boy makes a wish on a carnival wishing machine to be big &the wish is mysteriously granted making him a little boy in a mans body. Studio: Tcfhe Release Date: 09/02/2003 Starring: Tom Hanks John Heard Run time: 104 minutes Rating: Pg Director: Penny MarshallA perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the acce! nt is on classy humor and great sensitivity. Hanks is remarkab! le in th e lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom KeoghAt a carnival, young Josh Baskin (HANKS) wishes he was big-only to awake the next morning and discover he is! With the help of his friend Billy (JARED RUSHTON), Josh lands a job at a toy company. There, his inner wisdom enables him to successfully predict what children want to buy, making the awestruck, naïve Josh irresistible to a beautiful ladder-climbing colleague (ELIZABETH PERKINS). But the more he experiences being an adult, the more Josh longs for the simple joys of childhood.A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious ! issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh

From the Boiler Room to the Living Room: The Financial Services Revolution and What it Means to You and Your Clients

  • ISBN13: 9780470255094
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Sure to make you think twice before responding to the next telephone sales call you receive, this volume explores why telephone boiler rooms and other scams thrive and how fraudulent techniques and deception migrate to and from conventional businesses. "The Boiler Room and Other Telephone Sales Scams" is grounded in the nine years Robert Stevenson spent working covertly as a "participant-observer" in telephone rooms (the ethical implications of which he discusses in an epilogue). As Stevenson details boiler room hierarchy, you'll learn why all boilers are telephone salesmen but not all telephone salesmen are boilers. You'll read about the "heat" rising in rooms where experienced pitchmen use tried-and-! true manipulative techniques to overcome objections to sales. And you'll marvel at Stevenson's insider knowledge of product houses, service shops, and other aspects of a major industry in which both employees and customers are in daily peril-the former of losing their jobs and the latter of losing their money. "The Boiler Room and Other Telephone Sales Scams" is required reading for anyone who's ever picked up a telephone and been asked to buy a product or a service. It's also an invaluable study of a widespread form of deviance and occupational crime, essential reading for students of criminology and the sociology of occupations.Author Mitch Anthony has been recognized as the voice of conscience for the financial services industry. For more than a decade, he has shown advisors how building authentic, genuine relationships can serve clients' best interests and build heathlyâ€"and financially successfulâ€"practices at the same time.

In From the Boiler Room to the Livin! g Room, Mitch examines where the financial services indust! ry has f ailed in the past, and what it needs to do to restore trust at both the individual and industry levels. He teaches readers how to better understand the emotional significance of the money that clients entrust to their advisors and the struggles they face as they attempt to get "more life for their money." The book also discusses why venture philosophy, funding single moments, and rethinking one's purpose in life is more important to clients than net worth or asset allocation. Finally, it discusses how to develop dialogues that forge meaningful, long-term client connectionsâ€"in other words, how to stop selling and start listening.

Collateral Damage [Blu-ray]

  • Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington?but how? When? Whe
ARNOLD SCHWARZENEGGER DELIVERS A NAIL-BITING EXCITEMENT AND BOLD ONE-MAN HEROICS AS A LOS ANGELES FIREMAN WHO SEEKS REVENGE AFTER HIS WIFE AND SON ARE KILLED IN A TERRORIST BOMBING. SCHWARZENEGGER TRACKS THE MAN RESPONSIBLE FROM COLOMBIA TOWASHINGTON, D.C. IN A RACE TO STOP HIM BEFORE HE STRIKES AGAIN.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Lo! s Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon Through all their adventures, the bond of the Sisterhood has remained steadfast and unshakeable. But for the first time, the Sisterhood verges on falling apart when the ladies have to choose betw! een two difficult assignments. The first job guarantees a huge! paychec k; the second offers a presidential pardon - and a chance to finally emerge from hiding.For the sake of their union, the gals put aside their differences and focus on a new mission. A mysterious Washington, D.C. political operative needs them to track down a computer hacker who has stolen a highly classified list of fundraisers' names. With a presidential election looming, the girls soon realise that the job is a lot more dangerous than they had anticipated. Will their client come through with his promise? And can the ladies stop fighting - and stay alive - long enough to see it happen?Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington…but how? Whe! n? Where? In the scramble for answers, one thing is clear: Collateral Damage is a ticking time bomb of suspense.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold! 's advancing seniority, Collateral Damage still manages! to pack an entertaining punch. --Jeff Shannon

Gerber Descent II.

  • Overall length: 7.5"
  • Closed length: 4.65". Blade length: 3".
  • Open-frame lock mechansim
  • Black titanium PVD coating
  • Attachable carabiner clip

For Each, There Could Be Only One: They came from the darkest places: secluded monasteries, the Carpathian mountains, galaxies under siege. They were men with the blackest pasts-warriors, vampire monks, leaders of armies-but whose passions burned like dying stars. They had one purpose: to find those women who fulfilled them, completed them, and made them rage with a fire both holy and profane. They sought soul mates whose touch consumed them with desire, yet whose kisses refreshed like the coolest rain. And each man knew that for him there was only one true love-and in finding her, he would find salvation.

For Each, There Could Be Only One: They came from the darkest places: secluded monasteries, the Carpathian mou! ntains, galaxies under siege. They were men with the blackest pasts-warriors, vampire monks, leaders of armies-but whose passions burned like dying stars. They had one purpose: to find those women who fulfilled them, completed them, and made them rage with a fire both holy and profane. They sought soul mates whose touch consumed them with desire, yet whose kisses refreshed like the coolest rain. And each man knew that for him there was only one true love-and in finding her, he would find salvation.

Gerber Knives - Descent II Linerlock Knife with Black Titanium Nitride Coated Aluminum Open Frame Design. Model: G0201. 4 5/8" closed linerlock. 2 7/8" stainless black titanium nitride coated blade with dual thumb studs. Black titanium nitride coated aluminum open frame design. Integrated carabiner clip. Black stainless pocket clip. Boxed."

Boynton Beach Club - Framed Movie Poster - 11 x 17 Inch (28cm x 44cm)

  • You are looking at a beautiful, professionally framed poster.
  • This frame is made specifically for 11 x 17 posters.
  • Packaged and shipped in a sturdy corrugated box.
  • Clean and sharp looking aluminum frame with clear plexiglass.
  • This poster is from Boynton Beach Club (2005)
Recently widowed Marilyn (Brenda Vaccaro), still reeling over the sudden death of her husband, finds an unexpected new circle of friends when she accepts an invitation to join The Boynton Beach Bereavement Club. While not ready to embark on a relationship herself, she is amused to realize that many of her contemporaries are actively looking for love. Lois (Dyan Cannon) is being courted by a younger man (Michael Nouri), while Harry (Joseph Bologna) tries internet dating and encourages his friend Jack (Len Cariou) to pursue a romance with the mysterious Sandy (Sally Kellerman). The Boynton Bea! ch Club proves that 60 IS the new 40 and you’re never too old to fall in love.Early in the charming romantic comedy Boynton Beach Club, one randy 70-something guy makes a heartfelt toast to "sex after 60"--in all of its untidy, slightly saggy, unpredictable glory. And so is this film, by Susan Seidelman, as much a toast to love among the retiree set as her Desperately Seeking Susan was a valentine to Madonna and the early '80s hipster scene. The all-star cast, including Joe Bologna, Dyan Cannon, Sally Kellerman, Brenda Vaccaro, and Michael Nouri, explore the nuances of grief, loss, heartbreak, and horniness in a retirement community in Boynton Beach, Fla. The usual jokes about senior communities--the outnumbering of men by women, the orchestrated community-center social lives, the bad driving--are here, but with a twist. Seidelman is just as interested in showing that some things, like schoolgirl crushes, one-night-stand cads, and finding love when you think! you're not even looking, are as universal whether you're 17 o! r 70. Wh ile some of the cast seem almost distracting at the beginning of the film, because of apparently drastic plastic surgery (Cannon and Kellerman, especially), by the film's end they blend in with the rest of the cast, just as facelifts coexist with sagging jawlines in real Florida towns. Boynton Beach Club has a big heart, and the heart, thankfully, never shows its age. --A.T. HurleyMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

Casa de Los Babys 20x26 Framed and Double Matted Movie Poster - Style A

  • High quality framed art print
  • Wood Frame with Double Matting
  • Top Quality Crescent Matboard used for Double Matting
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Acclaimed filmmaker John Sayles captures six American women at one of the most emotionally charged moments of their liveseach on the verge of adopting a babyin this "compelling" (Chicago Tribune) drama set against the backdrop of a Latin-American town. Featuring an "inspired" (The Miami Herald) all-star cast, this poignant look at fate, maternity and clashing cultures is "as rich in ideas as it is in fine acting" (Los Angeles Daily News).John Sayles brings observant compassion and calm insight to Casa de los Babys, a fiercely independent film with a peerless ensemble cast. Dispensing with traditional storytelling to focus instead on the turbulent emotions surrounding the adoption of bab! ies by American women in an unnamed South American country (filmed in Acapulco, Mexico), Sayles takes an unobtrusive approach to their dilemmas, listening (and filming) like an understanding friend to these hopeful women, who are either bound or separated by their disparate personalities. Sayles also covers both sides of the adoption equation by including a Latina mother (Vanessa Martinez), certain that her baby will enjoy a better life with adoptive American parents, but still struggling with the anguish of her sacrifice. This isn't on par with Sayles's best work (and reviews were predictably mixed), but there's not a false note anywhere, and the cast (including Daryl Hannah, Marcia Gay Harden, Maggie Gyllenhaal, Lili Taylor, Susan Lynch and Mary Steenburgen) is uniformly superb. Sayles isn't playing social commentator here, and that's to his credit. Instead, Casa de los Babys is a sensitive film about a sensitive subject, allowing viewers to draw their own conclusi! ons. --Jeff ShannonDirector John Sayles has long excell! ed in fi lms driven by character-rich interpersonal relationships, and this tale of six disparate women who find themselves thrown together in a South American motel waiting for bureaucrats to process their adoption papers for a local orphanage is no exception. Sayles obviously handpicked this diverse collection of songs and styles to underscore the tropical mood and rich emotional tenor of his story, but his selections also display a playful delight in willfully debunking various Latin music sterotypes as well. The retro doo-wop of Las Zafiras, sultry ballads of Broadway star Rita Moreno and spare modernism of Lhasa prove that influences migrate freely both ways across the equator, while Carlos Puebla and Ruben Blades display the compassion beneath their oft-politicized music. The collaborations of Mason Daring and Claudio Ragazzi (including the Moreno-performed "Quien Sera") further underscore the sense of pan-American richness that informs this compelling soundtrack from fir! st cut to last. -- Jerry McCulleyLa organización que representa a los mejores pediatras de la nación, así como a las investigaciones y procedimientos más avanzados y actualizados en el área de los cuidados infantiles, responde a todas sus preguntas sobre la salud y educación de su hijo. Encontrará consejos útiles y tranquilizadores para educar y cuidar de su hijo, que abarcan desde los preparativos para el nacimiento del bebé y cómo enseñarle a su hijo a usar el baño, hasta cómo fomentar su autoestima.

También encontrará una guía indispensable para identificar y tratar los problemas de salud más comunes durante la niñez, así como instrucciones detalladas para saber actuar en situaciones de emergencia.

Completo, preciso y actualizado, El cuidado de su hijo pequeño le ofrece:

• Recomendaciones fundamentales para cuidar de su hijo desde la lactancia hasta los cinco años

• Una guía sobre los logros evolutivos en lo! s aspectos físico, emocional, social y cognoscitivo

â€! ¢ Una en ciclopedia completa sobre salud infantil: lesiones, enfermedades, anomalías congénitas y otras discapacidades

• Consejos útiles para la seguridad de su hijo, dentro y fuera de casa, y en el auto

• Recomendaciones para elegir un buen programa de cuidado infantil

• Reflexiones sobre temas familiares, como la rivalidad entre hermanos, adopción, formación de una segunda familia y consejos prácticos para las madres que trabajan fuera de casa

• Y mucho másAcclaimed filmmaker John Sayles captures six American women at one of the most emotionally charged moments of their lives--each on the verge of adopting a baby--in this compelling drama set against the backdrop of a Latin American town. Featuring an inspired all-star cast, this poignant look at fate, maternity and clashing cultures is as rich in ideas as it is in fine acting.

Dreamcatcher

  • ISBN13: 9780743436274
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed
Four young friends perform a heroic act and are changed forever by the uncanny powers they gain in return. Years later, on a hunting trip in the Maine woods, they are overtaken by a blizzard, a vicious storm in which something much more ominous moves. Challenged to stop a deadly alien force, they confront an unparalleled horror, with the fate of the world in the balance.Regardless of its critical roasting, Dreamcatcher is a must-see for Stephen King fans. In adapting King's epic novel (itself an amalgam of familiar King plotlines), director Lawrence Kasdan and cowriter William Goldman sacrificed much of the character depth that gave the story i! ts crucial humanity, resulting in a tame frightfest about four longtime friends (Damian Lewis, Jason Lee, Thomas Jane, Timothy Olyphant) whose past--and a shared gift of telepathy--connects them to a present-day alien invasion in the snowy forests of Maine. Like an ambitious episode of The X-Files, this slick production offers slimy "weasels" that gestate in human bowels; ominous aliens who seize control of bodies and minds; a secret military strike (led by Morgan Freeman) against the invaders; and enough gross-out humor to satisfy jaded horror buffs. Unfortunately, it just isn't scary. Despite its A-list advantages, Dreamcatcher works best as a glorified B-movie, likely to benefit from lowered expectations. --Jeff ShannonOnce upon a time, in the haunted city of Derry, four boys stood together and did a brave thing. It was something that changed them in ways they could never begin to understand.

Dreamcatcher

Twenty-five years after saving a Down's-syndrome kid! from bu llies, Beav, Henry, Pete, and Jonesy -- now men with separate lives and separate problems -- reunite in the woods of Maine for their annual hunting trip. But when a stranger stumbles into their camp, disoriented and mumbling something about lights in the sky, chaos erupts. Soon, the four friends are plunged into a horrifying struggle with a creature from another world where their only chance of survival is locked in their shared past -- and in the Dreamcatcher.

Never before has Stephen King contended so frankly with the heart of darkness. Dreamcatcher, his first full-length novel since Bag of Bones, is a powerful story of astonishing range that will satisfy fans both new and old.Stephen King fans, rejoice! The bodysnatching-aliens tale Dreamcatcher is his first book in years that slakes our hunger for horror the way he used to. A throwback to It, The Stand, and The Tommyknockers, Dreamcatcher is also an interesting new wri! nkle in his fiction.

Four boyhood pals in Derry, Maine, get together for a pilgrimage to their favorite deep-woods cabin, Hole in the Wall. The four have been telepathically linked since childhood, thanks to a searing experience involving a Down syndrome neighbor--a human dreamcatcher. They've all got midlife crises: clownish Beav has love problems; the intellectual shrink, Henry, is slowly succumbing to the siren song of suicide; Pete is losing a war with beer; Jonesy has had weird premonitions ever since he got hit by a car.

Then comes worse trouble: an old man named McCarthy (a nod to the star of the 1956 film Invasion of the Body Snatchers) turns up at Hole in the Wall. His body is erupting with space aliens resembling furry moray eels: their mouths open to reveal nests of hatpin-like teeth. Poor Pete tries to remove one that just bit his ankle: "Blood flew in splattery fans as Pete tried to shake it off, stippling the snow and the sawdusty tarp and t! he dead woman's parka. Droplets flew into the fire and hissed ! like fat in a hot skillet."

For all its nicely described mayhem, Dreamcatcher is mostly a psychological drama. Typically, body snatchers turn humans into zombies, but these aliens must share their host's mind, fighting for control. Jonesy is especially vulnerable to invasion, thanks to his hospital bed near-death transformation, but he's also great at messing with the alien's head. While his invading alien, Mr. Gray, is distracted by puppeteering Jonesy's body as he's driving an Arctic Cat through a Maine snowstorm, Jonesy constructs a mental warehouse along the lines of The Memory Palace of Matteo Ricci. Jonesy physically feels as if he's inside a warehouse, locked behind a door with the alien rattling the doorknob and trying to trick him into letting him in. It's creepy from the alien's view, too. As he infiltrates Jonesy, experiencing sugar buzz, endorphins, and emotions for the first time, Jonesy's influence is seeping into the alien: "A terrible thought occu! rred to Mr. Gray: what if it was his concepts that had no meaning?"

King renders the mental fight marvelously, and telepathy is a handy way to make cutting back and forth between the campers' various alien battlefronts crisp and cinematic. The physical naturalism of the Maine setting is matched by the psychological realism of the interior struggle. Deftly, King incorporates the real-life mental horrors of his own near-fatal accident and dramatizes the way drugs tug at your consciousness. Like the Tommyknockers, the aliens are partly symbols of King's (vanquished) cocaine and alcohol addiction. Mainly, though, they're just plain scary. Dreamcatcher is a comeback and an infusion of rich new blood into King's body of work. --Tim Appelo

Dark Blue Replicase Hard Air Crystal Jacket Luminosity Case with Screen Protector for iPhone 4 (Works with Verizon iPhone)

  • Compatible with Verizon and AT&T iPhone 4
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  • Made with high quality durable synthetic material
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  • Prevents your mobile from scratches and accidental damage
Director Jan Sverák's Dark Blue World embraces sentimentality with such brio it is hard to resist. The film relays the little-known WWII story of Czech fighter pilots who escaped the Nazi occupation of their country to fight in Britain's Royal Air Force. Those who survived the battles were placed in work camps upon their return home by a then-entrenched, paranoid Communist regime. Sverák (Kolya) tacks back and forth between Franta (Ondrej Vetchy), a worldly captain in the defunct Czech Air Force, and Karel (Krystof Hádek), his earnest young recruit, as they leave home to fight the enemy on foreign soil. Onl! y one returns to tell his story, from a prison hospital bed. While enduring life in the RAF with fellow Czech pilots, Franta and Karel manage to fall in love with the same woman, learn English, swing dance, recite poems, sing rousing Czech songs, and perform heroic feats. Dogfights in the air and inevitable losses ensue, but it is the genuine camaraderie evoked by a gifted cast of Czech actors that saves the film from effusive excess. Like a charismatic captain steeling his company before battle, Sverák can't resist indulging romantic clichés, but his actors, in their fresh intensity, are more than up to the task set before them. --Fionn MeadeUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Czech ( Dolby Digital 5.1 ), English ( Dolby Digital 5.1 ), German ( Dolby Digital 5.1 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (2.35:1), SPECIAL FEATURES:! Anamorphic Widescreen, Commentary, Documentary, Featurette, I! nteracti ve Menu, Making Of, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: ***ATTENTION***Audio is a mix of Czech, English & German languages***Subtitles - English language*** The most durable war films tend to have a personal dimension, and Dark Blue World is no exception. This simple but affecting story of Czech air pilots serving in the RAF during the Second World War is sensitively directed by Jan Sverak from a script by his father Zdenek, whose Kolya was an unexpected but deserved hit with UK audiences. Dark Blue World focuses on the relationship between Frantisek Slama (played with quiet authority by Ondrej Vetchy) and his protégé Karel Vojtisek (a fresh-faced Krystof Hadek). Escaping Czechoslovakia during the Nazi invasion of 1939, they enlist in the RAF, where the father/son relationship is threatened by their mutual attraction to the apparently widowed Susan (Tara Fitzgerald, thoughtfully understated). The film's culmination sees them reconciled in moving circumstance! s, and the perspective is widened by scenes set in 1950: Slama, as with most Czech soldiers who fought with the Allies, having been sentenced to hard labour by the Communist authorities as a potential security threat. His decent treatment by a German doctor, as opposed to the brutality of the Czech guards, points up the tragic irony of those who fought for freedom, only to finish up on the "wrong" side of the Iron Curtain. Sverak maintains a persuasive balance between action sequ...Dark Blue World ( Tmavomodrý svet ) ( Leidenschaft in dunklen Tagen )Director Jan Sverák's Dark Blue World embraces sentimentality with such brio it is hard to resist. The film relays the little-known WWII story of Czech fighter pilots who escaped the Nazi occupation of their country to fight in Britain's Royal Air Force. Those who survived the battles were placed in work camps upon their return home by a then-entrenched, paranoid Communist regime. Sverák (Kolya) tacks back and f! orth between Franta (Ondrej Vetchy), a worldly captain in the ! defunct Czech Air Force, and Karel (Krystof Hádek), his earnest young recruit, as they leave home to fight the enemy on foreign soil. Only one returns to tell his story, from a prison hospital bed. While enduring life in the RAF with fellow Czech pilots, Franta and Karel manage to fall in love with the same woman, learn English, swing dance, recite poems, sing rousing Czech songs, and perform heroic feats. Dogfights in the air and inevitable losses ensue, but it is the genuine camaraderie evoked by a gifted cast of Czech actors that saves the film from effusive excess. Like a charismatic captain steeling his company before battle, Sverák can't resist indulging romantic clichés, but his actors, in their fresh intensity, are more than up to the task set before them. --Fionn MeadeDirector Jan Sverák's Dark Blue World embraces sentimentality with such brio it is hard to resist. The film relays the little-known WWII story of Czech fighter pilots who escaped the Nazi occ! upation of their country to fight in Britain's Royal Air Force. Those who survived the battles were placed in work camps upon their return home by a then-entrenched, paranoid Communist regime. Sverák (Kolya) tacks back and forth between Franta (Ondrej Vetchy), a worldly captain in the defunct Czech Air Force, and Karel (Krystof Hádek), his earnest young recruit, as they leave home to fight the enemy on foreign soil. Only one returns to tell his story, from a prison hospital bed. While enduring life in the RAF with fellow Czech pilots, Franta and Karel manage to fall in love with the same woman, learn English, swing dance, recite poems, sing rousing Czech songs, and perform heroic feats. Dogfights in the air and inevitable losses ensue, but it is the genuine camaraderie evoked by a gifted cast of Czech actors that saves the film from effusive excess. Like a charismatic captain steeling his company before battle, Sverák can't resist indulging romantic clichés, but ! his actors, in their fresh intensity, are more than up to the ! task set before them. --Fionn MeadeMarch 15, 1939: Germany invades Czechoslovakia. Czech pilots flee to England, joining the RAF. After the war, back home, they are put in labor camps, suspected of anti-Communist ideas. This film cuts between a post-war camp where Franta is a prisoner and England during the war, where Franta is like a big brother to Karel, a very young pilot. On maneuvers, Karel crash lands by the rural home of Susan, an English woman whose husband is MIA. She spends one night with Karel, and he thinks he's found the love of his life. It's complicated by Susan's attraction to Franta. How will the three handle innocence, Eros, friendship, and the heat of battle? When war ends, what then?The ultimate case for style and protection. One of the thinest and lightest cases made for the iPhone 4. Now fits the Verizon iPhone 4 and AT&T iPhone 4. iPhone 4 screen protector included.

The Good, the Bad, and the Ugly Dress (Bedeviled)

  • ISBN13: 9780448451121
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In this study, author Richard B. Wilke focuses on people in the story of Christ s birth. There are those we associate with the joy and celebration of Christmas the wise men, the shepherds, and Joseph. Yet the author reminds us not to forget that the evil King Herod is also part of the Christmas story, and how it is because there is evil in our world that we so desperately needed and need a Savior.

 

This four-week study is appropriate for both group and individual use and provides one lesson for each week of Advent. Each lesson includes a reference to a key passage of Scripture, a brief reflection, study / discussion questions, and a brief prayer.

The Good, the Bad, & the Ugly: Philadelphia Phillies presents all the best moments and personalities in the history of the Phillies. It also unmasks the bad, the regrettably awful, and the unflinchingly ugly. In an entertaining and unsparing fashion, author Todd Zolecki has written a book that sparkles with Phillies highlights, lowlights, wonderful and wacky memories, legends and goats, the famous, and the infamous. You'll relive the rapturous season of the Whiz Kids and the magical 2008 run to the World Series, but also the lows of the historically inept Phillies of the 1930s and the equally historic collapse of 196! 4. You'll celebrate the incredible majesty of a Mike Schmidt h! ome run, but you'll lament the devastation of Mitch Williams' infamous gopher ball to Joe CarterTexas Bug Book is your complete guide for identifying and organically controlling all of the most common Texas insects. Drawing on years of practical experience and research, organic gardening experts Howard Garrett and Malcolm Beck give detailed instructions on how to identify, understand the life cycle of, and control or protect Texas insects, mites, snails, slugs, nematodes, and other critters. They also include striking color photos and black-and-white drawings to help you identify each bug. Garrett and Beck highlight the many useful roles that bugs play in nature and offer proven organic remedies for infestations of pest insects.Are you ready for the real story of the Cincinnati Reds? As one of baseball's oldest and most successful franchises, the Reds have a long history of legends and goats, great comebacks and colossal failures, World Series championships and heartbreaking losses.! The Good, the Bad, and the Ugly: Cincinnati Reds is a must for every fan who wants an unflinching look at the greatest--and worst--players, coaches, and moments in Reds history!
In this nuts-and-bolts guide, over 750 professionals speak candidly about Â"the good, the bad, and the ugly” of two dozen popular professions. Dispensing with romantic fantasies, real-world professionals — from nurses and pharmacists to architects and attorneys — speak about the day-to-day realities of their careers in six categories: College vs. Reality; The Biggest Surprise; Hours and Advancement; The Best and the Worst; Changes in the Profession; and Would You Do It All Over Again?

Chapters include overviews of each profession, followed by helpful information about education, testing, and registration and licensing requirements; the number of positions across the country; and the average starting or median annual salaries. This valuable resource is filled with the open, personal i! nsights and observations most students and career-changers wan! t — and need — to make informed decisions about what they will do with the rest of their lives.
Angel Garret knows two things for sure. The first is that she inherited some of her dad's powers. The second is that she wreaks havoc whenever she tries to use them - especially when she's trying to impress her crush, Cole. Angel's only solution is to stay as far away as possible from him until she learns how to harness this new gift. But how can you manage to avoid someone and get him to ask you to the Turkey Ball at the same time?

Departures

  • DEPARTURES (DVD MOVIE)
When his orchestra disbands, Daigo Kobayashi moves back to his hometown and takes a job preparing corpses for burial. Too embarrassed to admit his new career to his family, Daigo keeps his profession a secret, until he’s faced with the death of someone close to him. Academy Award Winner for Best Foreign Film.Departures is surely the gentlest, sweetest movie about death that you will ever see. A cellist named Diago (Masahiro Motoki) comes to the rueful conclusion that he’s not talented enough to make a career as a musician; having just returned to his hometown with his wife Mika (Ryoko Hirosue, Wasabi), he answers a job ad for what he thinks must be a travel agency... only to discover that company prepares bodies to be placed in coffins. Fearful of his wife’s response, he hides his new job--but as he grows to appreciate his boss (Tsutomu Yamazaki, Tampopo) and the affect that the humbling ceremony of cleaning and dressing the deceased has on their families, Diago discovers that he might have a calling. Departures won the 2009 Academy Award for Best Foreign Language Film, and it’s easy to understand why. Though it starts out quietly and even seems slight, it gradually builds in emotional power, layer by layer, until scene after scene at the end is richly moving. Particularly affecting is the performance of Kimiko Yo, the secretary of the company, who harbors a troubling secret. A few moments of overt symbolism push the movie from compassion to sentimentality--but every time Departures seems to have lost its footing, a scene follows that strikes all the right notes so deftly it resonates like a bell. A truly marvelous movie. --Bret Fetzer
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