Tuesday, November 22, 2011

Snapdragon

  • Actors: Steven Bauer, Chelsea Field, Pamela Anderson, Matt McCoy, Kenneth Tigar.
  • Format: Closed-captioned, Color, DVD, NTSC.
  • Language: English.
  • Region: Region 1 (U.S. and Canada only).
  • Rated R. Run Time: 98 minutes.
BARB WIRE - DVD MovieRemember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the! Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon Studio: Uni Dist Corp. (mca) Release Date: 02/08/2011 Run time: 99 minutes Rating: RRemember the old days, when Pamela Anderson Lee was s! till just a Playboy Playmate turned Baywatch babe? You ! know--ba ck before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this ! sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon Remember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in th! e year 2017 when the Second Civil War is in full force, this s! ci-fi ac tion thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon The comics series that inspired the movie, Barb Wire is over-the-top, bad-girl action that opened doors for the plethora of today's tough-girl characters. Steel Harbor is a hell of a town, wi! th the emphasis on hell, an urban wasteland of shuttered factories, decaying neighborhoods, and broken dreams. Crime and street violence are the soup of the day every day, but if you're a bounty hunter, every day in "Metal City" can be Christmas - assuming you survive, since the worst of the Harbor's most wanted can fly, summon up tornadoes, or tear cars in half with their bare hands. But, a skip's a skip, and manhunter Barb Wire is the best tracker in the business, and no super-gangster is too tough-as long as there's a fat price on his, her, or its head. Beautiful as she is lethal, Barb Wire really puts the "drop dead" in drop-dead gorgeous! Her boots may be made for walking, but they kick butt real pretty!Remember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to! compare Pam's barely adequate acting chops with her formidabl! e skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a! brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon SNAPDRAGON - DVD Movie

Enduring Love: A Novel (Sydney Cove)

  • ISBN13: 9780800731786
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
On a windy spring day in the Chilterns, the calm, organized life of science writer Joe Rose is shattered when he witnesses a tragic accident: a hot-air balloon with a boy trapped in its basket is being tossed by the wind, and in the attempt to save the child, a man is killed. A stranger named Jed Parry joins Rose in helping to bring the balloon to safety. But unknown to Rose, something passes between Parry and himself on that day--something that gives birth to an obsession in Parry so powerful that it will test the limits of Rose's beloved rationalism, threaten the love of his wife, Clarissa, and drive him to the brink of murder and madness. Brilliant and compassionate, this is a novel of love, faith, ! and suspense, and of how life can change in an instant.Joe Rose has planned a postcard-perfect afternoon in the English countryside to celebrate his lover's return after six weeks in the States. To complete the picture, there's even a "helium balloon drifting dreamily across the wooded valley." But as Joe and Clarissa watch the balloon touch down, their idyll comes to an abrupt end. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. As the wind whips into action, Joe and four other men rush to secure the basket. Mother Nature, however, isn't feeling very maternal. "A mighty fist socked the balloon in two rapid blows, one-two, the second more vicious than the first," and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted sky-high, only to fall to his death.

In itself, the accident would change the survivors' lives, filling them w! ith an uneasy combination of shame, happiness, and endless se! lf-repro ach. (In one of the novel's many ironies, the balloon eventually lands safely, the boy unscathed.) But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that very night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa.

Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only th! e wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of all--becoming strangers to those who love them. Even his prose itself is a masterful and methodical exercise in defamiliarization. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye.

Ian McEwan is one of Britain's most inventive and important contemporary writers. Also adapted as a film, his novel Enduring Love (1997) is a tale of obsession that has both troubled and enthralled readers around the world. Renowned author Peter Childs explores th! e intricacies of this haunting novel to offer:

  • ! an acces sible introduction to the text and contexts of Enduring Love
  • a critical history, surveying the many interpretations of the text from publication to the present
  • a selection of new and reprinted critical essays on Enduring Love, by Kiernan Ryan, Sean Matthews, Martin Randall, Paul Edwards, Rhiannon Davies and Peter Childs, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section
  • cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism
  • suggestions for further reading.

Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Enduring Love and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds it.

On a windy spring day in the Chilte! rns, the calm, organized life of science writer Joe Rose is shattered when he witnesses a tragic accident: a hot-air balloon with a boy trapped in its basket is being tossed by the wind, and in the attempt to save the child, a man is killed. A stranger named Jed Parry joins Rose in helping to bring the balloon to safety. But unknown to Rose, something passes between Parry and himself on that day--something that gives birth to an obsession in Parry so powerful that it will test the limits of Rose's beloved rationalism, threaten the love of his wife, Clarissa, and drive him to the brink of murder and madness. Brilliant and compassionate, this is a novel of love, faith, and suspense, and of how life can change in an instant.


From the Trade Paperback edition.Joe Rose has planned a postcard-perfect afternoon in the English countryside to celebrate his lover's return after six weeks in the States. To complete the picture, there's even a "helium balloon ! drifting dreamily across the wooded valley." But as Joe and C! larissa watch the balloon touch down, their idyll comes to an abrupt end. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. As the wind whips into action, Joe and four other men rush to secure the basket. Mother Nature, however, isn't feeling very maternal. "A mighty fist socked the balloon in two rapid blows, one-two, the second more vicious than the first," and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted sky-high, only to fall to his death.

In itself, the accident would change the survivors' lives, filling them with an uneasy combination of shame, happiness, and endless self-reproach. (In one of the novel's many ironies, the balloon eventually lands safely, the boy unscathed.) But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For! Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that very night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa.

Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only the wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of! all--becoming strangers to those who love them. Even his pro! se itsel f is a masterful and methodical exercise in defamiliarization. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye.On a windy spring day in the Chilterns, the calm, organized life of science writer Joe Rose is shattered when he witnesses a tragic accident: a hot-air balloon with a boy trapped in its basket is being tossed by the wind, and in the attempt to save the child, a man is killed. A stranger named Jed Parry joins Rose in helping to bring the balloon to safety. But unknown to Rose, something passes between Parry and himself on that day--something that gives birth to an obsession in Parry so powerful that it will test the limits of Rose's beloved rationalism, threaten the love of his wife, Clarissa, a! nd drive him to the brink of murder and madness. Brilliant and compassionate, this is a novel of love, faith, and suspense, and of how life can change in an instant.


From the Trade Paperback edition.Just when things seem to be looking up for John and Hannah Bradshaw, their world is turned upside down. Years ago, John was in prison when he was told his first wife, Margaret, died. So how is it that she shows up in Sydney Town looking to pick up where they left off?

Her marriage now null and void, Hannah is distraught. But she and John feel they must separate to allow John's first marriage to continue. But is Margaret hiding something after all? And just what will she do to get what she wants?

This conclusion to the Sydney Cove trilogy will draw readers in with its suspenseful, romantic, and tender narrative.

The Coen Brothers Movie Collection (Fargo / Miller's Crossing / Barton Fink / Raising Arizona / Blood Simple)

  • Fargo - Languages English and French, Subtitles English, French, Spanish
  • Raising Arizona - Languages English and French, Subtitles English, Spanish
  • Miller's Crossing - Languages English, Spanish, French; Subtitles English, Spanish
  • Blood Simple - Language English, Subtitles English, Spanish, French
  • Barton Fink - Languages English, Spanish, French; Subtitles English, Spanish
BLOOD SIMPLE - DVD MovieThe debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Fr! ances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom KeoghThe debut film of director Joel Coen and his ! brother- producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly! inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom KeoghStudio: Tcfhe Release Date: 08/30/2011 Run time: 95 minutes Rating: RThe debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Frances M! cDormand in her first film appearance), and then kill her and ! her love r (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom KeoghBrilliant Filmmaking Comes Alive On Blu-ray.

The! films of Academy Award® Winners Joel Coen and Ethan Coen are breathtakingly bold, stunningly original and marvelously entertaining. This must-own collection from these visionary filmmakers includes four iconic movies, presented in breathtaking Blu-ray high definition.

Blood Simple Blu-ray
From the celebrated filmmaking team of Joel Coen and Ethan Coen (Fargo, Raising Arizona), comes this visually stunning tale of a double-crossâ€"and murderâ€"in a small town. When the owner of a backwoods bar hires a man to kill his cheating wife and her boyfriend, he opens a door into the criminal world that he’ll never be able to shut. Blood Simple hurtles forward with the speed and intensity of a fired bullet...and delivers as devastating an impact as has ever been felt from a noir film!

Fargo Blu-ray
Nominated for seven Oscars® and winner of two, this darkly amusing thriller combines a first-rate! cast, "a dazzling mix of mirth and malice" (Rolling Stone) an! d a biza rre kidnapping plot that unravels the Midwest like never before. Starring Frances McDormand, William H. Macy and Steve Buscemi, Fargo is a brilliant tour de force from the creators of Raising Arizona and O Brother, Where Art Thou?

Miller's Crossing Blu-ray
Filmmakers Joel and Ethan Coen (Raising Arizona, Fargo) create a complex and graphic vision of gangsterism set during Prohibition and featuring a riveting rouges’ gallery of killers and con men.

Leo (Albert Finney), a likeable Irish gangster boss, rules an Eastern city along with Tom (Gabriel Byrne), his trusted lieutenant and counselor. But just as their authority is challenged by an Italian underboss (Jon Polito) and his ruthless henchman (J.E. Freeman), Leo and Tom also fall for the same woman (Marcia Gay Harden). Tom, caught in the jaws of a gangland power struggle, walks a deadly tightrope as he tries to control and manipulate its violent outcome.

Raising Arizona Blu-ray
Nicolas Cage, Holly Hunter and John Goodman lead an all-star cast in Ethan and Joel Coen’s celebrated comedy.

Once he decides to give up crime, a small-time robber (Cage) proposes to a pretty cop (Hunter). But when the newlyweds learn they can’t conceive a baby, they decide to steal one from a couple who seem to have one to spare â€" since they just had quintuplets! With its outrageous plot, fast-paced action and even some wild pyrotechnics, Raising Arizona will forever have a place in the hearts of lovers â€" and film lovers â€" everywhere.Review for Blood Simple
The debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar own! er (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition! . This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom Keogh

Review for Fargo
Leave it to the wildly inventive Coen brothers (Joel directs, Ethan produces, they both write) to concoct a fiendishly clever kidnap caper that's simultaneously a comedy of errors, a Midwestern satire, a taut suspense thriller, and a violent tale of criminal misfortune. It all begins when a hapless car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota, (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is lace! d with offbeat observations about life in the rural hinterlan! d of Min nesota and North Dakota, and Fargo embraces its local yokels with affectionate humor. At times shocking and hilarious, Fargo is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. --Jeff Shannon

Review for Miller's Crossing
Arguably the best film by Joel and Ethan Coen, the 1990 Miller's Crossing stars Gabriel Byrne as Tom, a loyal lieutenant of a crime boss named Leo (Albert Finney) who is in a Prohibition-era turf war with his major rival, Johnny Caspar (Jon Polito). A man of principle, Tom nevertheless is romantically involved with Leo's lover (Marcia Gay Harden), whose screwy brother (John Turturro) escapes a hit ordered by Caspar only to become Tom's problem. Making matters worse, Tom has outstanding gambling debts he can't pay, which keeps him in regular touch with a punishing enforcer. With all the energy the Coens put into their films, and! all their focused appreciation of genre conventions and rules, and all their efforts to turn their movies into ironic appreciations of archetypes in American fiction, they never got their formula so right as with Miller's Crossing. With its Hammett-like dialogue and Byzantine plot and moral chaos mitigated by one hero's personal code, the film so transcends its self-scrutiny as a retro-crime thriller that it is a deserved classic in its own right. --Tom Keogh

Review for Raising Arizona
Blood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has ! since developed a large and loyal following. It's the story o! f "Ed" ( for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I. McDonnough, played by Nicolas Cage) while she's taking his mug shots. She's infertile and he's a habitual robber of convenience stores, and their folksy marital bliss depends on settling down with a rug rat. Unable to conceive, they kidnap one of the newsworthy quintuplets born to an unpainted-furniture huckster named Nathan Arizona (Trey Wilson), who quickly hires a Harley-riding mercenary (Randall "Tex" Cobb) to track the baby's whereabouts. What follows is a full-throttle comedy that defies description, fueled by the Coens' lyrical redneck dialogue, the manic camerawork of future director Barry Sonnenfeld, and some of the most inventively comedic chase scenes ever filmed. Some will dismiss the comedy for being recklessly over-the-top; others will love it for its clever mix of slapstick action, surreal fantasy, and homespun family values. One thing's for sure--this is a C! oen movie from start to finish, and that makes it undeniably unique. --Jeff ShannonDisc 1: Barton Fink WS Disc 2: Blood Simple WS Disc 3: Fargo WS Disc 4: Miller's Crossing WS Disc 5: Raising Arizona WS

Flyboys: A True Story of Courage

  • Blue and red hardcopy. Dust jacket with scenes or flying aircraft.
Inspired by the true story of the legendary Lafayette Escadrille, this action-packed epic tells the tale of America's first fighter pilots. These courageous young men distinguish themselves in a manner that none before them had dared, becoming true heroes who experience triumph, tragedy, love, and loss amid the chaos of World War I. Hang on for the ride of your life!

World War I aviation action gets an impressive digital upgrade in Flyboys, a welcome addition to the "dogfight" sub-genre that includes such previous war-in-the-air films like Hell's Angels, Wings, and The Blue Max. While those earlier films had the advantage of real and genuinely dangerous flight scenes (resulting, in some cases, in fatal accidents during production), Flyboys takes full (and safe) advantage of the digital revo! lution, with intensely photo-realistic recreations of WWI aircraft, authentic period structures, and CGI environments requiring a total of 850 digital effects shots, resulting in an abundance of amazing images, many of them virtually indistinguishable from reality. Unfortunately, the film's technical achievement is more impressive than its screenplay, which conventionally and predictably tells the fact-based story, set in France in 1916, of the daring young pilots of the Lafayette Escadrille, a pioneering French air-combat unit that welcomed American enlistees prior to the United States' entry into the war.

There's a familiar cliché to match every thrilling scene of aerial combat, but director Tony Bill manages to keep it all interesting, from the romance between a young American maverick (James Franco) and a pretty French girl (newcomer Jennifer Decker) to the exciting action in the air, which includes a stock variety of heroes (many of them composites of real-lif! e WWI pilots) and an intimidating villain known only as "The B! lack Fal con," whose Fokker Dr-1 triplane (one of many in the film) recalls the exploits of German "ace of aces" Manfred von Richtofen, the dreaded "Red Baron" of legend. With impeccable production values that will impress even the most nit-picking aviation buffs, Flyboys (like Superman Returns and Apocalypto, also released in 2006) was also one of the first feature films to be shot with Panavision's state-of-the-art Genesis digital cameras, resulting in beautiful images that meet or exceed the visual nuance of film. Flyboys also benefits from painstaking attention to physical detail, making it easier to forgive its shortcomings as a generic and formulaic slice of romanticized history. So while some viewers may have wished for a more realistic and grown-up depiction of the Lafayette Escadrille, it's safe to say that Flyboys will be thrilling its target audience for many years to come. --Jeff Shannon

Extras ! from Flyboys



Director Tony Bill on Filming Dogfight Sequences

...On throwing away the script for pilot training

...On the real-life stunt pilot who stars in the film

Beyond Flyboys



More "War in t! he Sky" Films

SPA124 Lafayette Escadrille: American Volunteer Airmen in World War 1



More "Military and War" Films

Stills from Flyboys




FLYBOYS is the true story of young American airmen who were shot down over Chichi Jima. Eight of these young men were captured by Jap! anese troops and taken prisoner. Another was rescued by an American submarine and went on to become president. The reality of what happened to the eight prisoners has remained a secret for almost 60 years. After the war, the American and Japanese governments conspired to cover up the shocking truth. Not even the families of the airmen were informed what had happened to their sons. It has remained a mystery--until now. Critics called James Bradley's last book "the best book on battle ever written." FLYBOYS is even better: more ambitious, more powerful, and more moving. On the island of Chichi Jima those young men would face the ultimate test. Their story--a tale of courage and daring, of war and of death, of men and of hope--will make you proud, and it will break your heart.

Janice Beard : Widescreen Edition

  • Widescreen
DANNY DECKCHAIR - DVD MovieIn the laugh-filled tradition of THE FULL MONTY, THE CASTLE is a hilarious comedy treat critics hailed as one of the year's funniest movies! Even though there's an airport practically running through their backyard, the eccentric Kerrigan clan loves their humble home. But when the airfield needs room to expand, the government says that the Kerrigans have to go! With an irresistable charm and irrepressible humor everyone is sure to enjoy, the hilarity then really takes flight when this funny family decides to stay and fight for their beloved "castle" ... no matter how far the conflict goes!The title of The Castle refers to a ramshackle suburban tract house so close to an airport that planes fly mere yards above the roof. Worse than that, it's built on a toxic landfill and right beside humming high-power lines. But to patriarch Darryl Kerrigan (Micha! el Caton) and his dim-witted but cheerful brood it's home. Darryl has devoted himself to constantly improving it with modifications like a false chimney that, as he brags to a man sent to estimate the value of the property, makes the house look more picturesque. When the owners of the airport serve Darryl notice that his home is being compulsorily purchased, Darryl hires a small-time lawyer and pursues his case all the way to the Australian Supreme Court. This Australian box-office smash wasn't as successful as The Full Monty in American theaters, but it has something of the same buoyant spirit. The Castle actually plays better on the small screen; its relationship with its characters is much like the farcical intimacy of classic British sitcoms like Fawlty Towers, in which crazed behavior is balanced by the genuine warmth of the whole cast. Caton in particular is a sweet, engaging presence; Darryl Kerrigan is a fool, but a fool with dignity, and he car! ries you through the movie. --Bret FetzerProduct Descri! ption We are introduced to Janice Beard at her ill-starred beginnings. Her father dies of a heart attack during her birth which plunges her mother into a post-natal, post-mortem agoraphobic depression that lasts 23 years. Determined to earn the money for her mother's treatment, Janice sets off into the work force with no skills or experience with disastrous results. Struggling to win everyone over, she thinks she has found love with the mail room boy but has actually become a pawn in an industrial espionage scheme that could ruin the company. Can little Janice find a cure for her mother, save the company and find true love in the bargain? Anything is possible!

Enlighten Up! DVD

  • ENLIGHTEN UP! (DVD MOVIE)
Filmmaker Kate Churchill is determined to prove that yoga can transform anyone. Nick Rosen is skeptical but agrees to be her guinea pig. Kate immerses Nick in the practice and follows him around the world as he examines the good, the bad and the ugly of yoga. The two encounter celebrity yogis, true believers, kooks and world-renowned gurus. Tensions run high as Nick s transformational progress lags and Kate s plan crumbles. Ultimately, what they find is not what they are looking for.
FEATURING: B.K.S. Iyengar, Pattabhi Jois, Norman Allen, Sharon Gannon, David Life, Gurmukh, Dharma Mitra, Cyndi Lee, Alan Finger, Rodney Yee, Beryl Bender Birch, Shyamdas, Diamond Dallas Page and many more!

DVD Features: Audio Commentary with Director Kate Churchill; Deleted Scenes; Extended Interviews with Yoga Luminaries; Photo Gallery

Q&A with Enlighten Up! director Kate Churchill and New York journalist Nick Rosen

How did the two of you come in contact with one another? Kate, where did you locate subjects for the film?

Kate Churchill: Nick and I met each other at a think tank conference. We were seated on the same panel and afterwards starting chatting about the work we were each doing. Nick was working as a journalist at the time and interested in documentary films so he sent me some of his articles to read for a possible future project. About 4 months later when the producers and I were debating how to tell this story, he became a potential subject for the film. I liked that he was a journalist, had a good sense of humor and that he was skeptical.

Nick Rosen: Yeah, it was funny because it was a conference panel I was totally unprepared for and I didn't even know I was on, and I totally fa! ked and joked my way through it, trying to make people laugh t! o mask m y total and utter cluelessness. And then Kate fell for it! I often wonder if I had prepared for that panel, and nobody much noticed me, whether Kate would have ever introduced herself, and later pick me for the movie. Lesson for the kids: always be unprepared.

Did the making of this documentary help you to come to terms with some of the "contradictions of yoga" that you wished to explore?

Kate Churchill: When I started making Enlighten Up! I was determined to find one teacher, or one practice that would have all of the "right answers" and help me overcome what I saw as the contradictions of yoga. Through the course of making the film, and especially during the three years editing Enlighten Up! I learned that there isn’t one teacher or a single practice that will have all the answers, and therefore everyone is going to have their own take on yoga based on what makes sense to them.

Were th! ere any moments that were not captured on camera that you wished had been? Conversely, were there any moments that you did not want to relive when you saw the finished product?


Nick Rosen: I think Kate did a really good job of covering all the big important moments. But there were stretches of time that I was practicing yoga without the camera. There was one time when the whole yoga class was sitting cross legged in a circle listening to the teacher give some weighty lecture on Hinduism, andâ€"oopsâ€"I farted. The whole class heard it and the teacher thought it was someone speaking up and said, "What was that, does anyone have a question?" That would have been a pretty funny scene in the movie.The documentary Enlighten Up! takes a whimsical, skeptical, and ultimately thoughtful look at the mysteries of yoga. Taking an approach similar to Supersize Me, filmmaker (and student of yoga) Kate Churchill wants to see what happens! when someone is first exposed to this physical and spiritual ! discipli ne. She chooses Nick Rosen, a former journalist with a skeptical attitude towards religion. Their investigation--which gradually turns combative, forcing Churchill to re-examine her own assumptions--takes them from the commercial yoga studios of New York (where one student says, with a beatific smile, that yoga gives you better sleep, better sex, and will inspire new ways to make money) to a former pro wrestler's "t & a" yoga in Los Angeles and on to India--where they discover as many perspectives on yoga as there are yogis. Rosen, with his open but down-to-earth attitude, proves an excellent lens to view a subject all too often treated with blissful and vapid reverence. The movie is sprinkled with humor and people twisting themselves into astonishing shapes, as well as stimulating and often contradictory ideas and metaphors that paint a very diverse picture of the world of yoga. Enlighten Up! blends philosophical discourse, personal drama, and a beautiful travelogue-! -the result is a satisfying film that doesn't pretend to have any answers but grapples with intriguing questions. --Bret Fetzer

Arctic Tale

  • Awe-inspiring adventure
This heartbreaking documentary puts a face on the sad statistics of global warming--and though it's not a human face, it's the perhaps even more effective face of an adorable polar bear cub, Nanu, along with her mother, her brother, and her natural enemy, the equally heart-melting Seela the walrus. With breathtaking footage of life on the arctic tundra, the directors spin a highly emotional tale of the melting ice caps and the effect of their disappearance on every species in the ecosystem. Since the film is essentially aimed at children, the cuteness factor is off the charts, aided by the slightly grating use of sound effects, a slangy voiceover by Queen Latifah, and a kid-friendly pop/folk soundtrack. And, as in a National Geographic special, viewers learn some interesting and neutral facts about polar bears, walruses, narwhals, foxes, and other northern creatures. T! he narrative, however, returns repeatedly to the grim conditions that are killing off our planet's wildlife, one family at a time. The directors take pains to create a hopeful ending, with a sweet pair of life-goes-on epilogues and a closing credit sequence featuring conservation tips, but the message of the film is sobering and hits its mark with kids and adults alike.The frozen Arctic is home to polar bears and walruses, two very different types of animals whose struggle to survive against the elements is only being made more difficult by a changing climate. Directors Adam Ravetech and Sarah Robertson filmed walruses and polar bears in the Arctic for 15 years in order to create this amazing story about the lives of Nanu the baby polar bear and a newborn walrus dubbed Seelah. Striking footage from land and sea is combined with effective narration by Queen Latifa and pop music by Joby Talbot to chronicle these creatures' lives from the babies' first days of existence, thr! ough two years of training in hunting and fighting by their re! spective mothers and the changes in the icy world that are necessitating new adaptations by these animals, and a contemplation of the chances of both species' continued survival. Like March of the Penguins, the footage of the animals of the Arctic and the formation and breaking up of the ice is exquisite, but perhaps even more striking is the clear evidence of climate change in the delayed formation of the ice in the autumn and its progressively earlier thawing and breaking up each spring. The polar bears' and walruses' resilience and instinctual ability to adapt and change in the face of the negative effects of global warming in order to survive is stressed, and viewers are left pondering why man cannot similarly adapt and change his ways in order to positively affect the world. Bonus features include an interesting "making of" featurette with Adam Ravetech and Sarah Robertson that describes their travels, trials, and enormous gratitude for the assistance of the Intuit pe! ople and a fun Are We There Yet? World Adventure: Polar Bear Spotting mini-adventure for kids in which Molly and Sam go looking for polar bears in a tundra buggy. (Ages 5 and older) --Tami Horiuchi
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