From Paris with Love [Blu-ray]
- Condition: New
- Format: Blu-ray
- AC-3; Color; Dolby; DTS Surround Sound; Subtitled; Widescreen
Stills from From Paris with Love (Click for larger image)
Stills from From Paris with Love (Click for larger image)
First published in 1935, Pilgrims of the Wild is Grey Owl's autobiographical account of his transition from successful trapper to preservationist. With his Iroquois wife, Anahereo, Grey Owl set out to protect the environment and the endangered beaver. Powerful in its simplicity, Pilgrims of the Wild tells the story of Grey Owl's life of happy cohabitation with the wild creatures of nature and the healing po! wers of what he referred to as "the great Northland" of "Over ! the Hill s and Far Away."
A bestseller at the time, Pilgrims of the Wild helped establish Grey Owl's international reputation as a conservationist. His legacy of warnings against the degradations of nature and the dangers of industry live on, despite the posthumous revelation that he wasn't, in fact, the First Nations man he claimed to be.
Q: It's been a decade since the last Baby-sitters Club books came out, and 24 years since the first book was published. What was it like to come back to the BSC after so many years away?
Martin: I had a great time re-visiting the characters. It was fun to explore their lives in the prequel, â"The Summer Before," and to figure out what led the girls to form The Baby-sitters Club, something that would eventually change their lives. It was like a reunion with friends--friends who havenât changed a bit.
Q: Kristy, Claudia, Mary Anne, and Stacey are very different characters, which is in part why the seri! es was and is still so popular. Every reader can relate to at least one of the characters. So, we have to ask you--which character are you most like?
Martin: I am most like Mary Anne who is the shy and quiet one. Like me, Mary Anne enjoys more solitary pursuits such as reading and needlework. My favorite character, however, is Kristy. I think she's my alter ego.
Q: Were you allowed to baby-sit when you were twelve? If so, were they any funny or awful stories you'd like to share?
Martin: Yes, I did a lot of baby-sitting when I was twelve. One of the worst and also funniest things that ever happened was when I was baby-sitting for our neighbors and the kids wanted to wash their parents' car. They started the job with much enthusiasm--using Brillo pads.
Q: More than 200 BSC books were published in the eighties and nineties. Are there any that you are particula! rly fond of and why?
Martin: My ! favorite Baby-sitters Club book is "Kristy's Great Idea," which is the first book and sets the series in motion. I also like the more serious books such as "Claudia and the Sad Good-bye," which deals with the death of Claudiaâs grandmother. This book was written shortly after my own grandmother died. My other favorite BSC books include âKristy and the Secret of Susan,â in which the members of the BSC baby-sit for a child with autism, and "Jessi's Secret Language" in which the girls learn American Sign Language in order to communicate with a sitting charge with profound hearing impairment.
Q: Why do you think that the series is so well-loved and has endured over so many years?
Martin: I think the characters in the BSC books are easily relatable. The books deal with timeless topics including friendship, family, and school. Also, the books tackle serious issues including racism, bullying, kids with disabilities (physical! and mental), and death of a loved one. These issues were relevant to kids in the 1980s and 1990s, and are still relevant to kids today. In addition to being relatable, these are characters readers can aspire to. The kids run a business--in this case, a baby-sitting business. They are entrepreneurial, independent, creative, and confident. And at the heart of the series is the friendship--the "glue" that binds these characters. Sure, they have fights, but they're loyal and they support one another. I think a lot of us--even adults--can relate to that.
Q: "The Summer Before" takes place during the summer before the girls enter the seventh grade--where suddenly there's a ton of pressure to fit in. The months leading up to it can be filled with anxiety, excitement, and anticipation. Do you remember how you spent the summer before seventh grade?
Martin: I was nervous that summer because in the fall I would be going to ! a new school â" the junior high (this was in the time before ! middle s chools). Even the words "junior high" seemed terribly grown-up. My friends and I would be attending school with eighth-graders, who were one step away from high school. I spent that summer reading, going to the community pool, taking a family trip to Cape May, New Jersey, doing some baby-sitting, and also recovering from surgery. But the knowledge that I would soon be in junior high school colored every day and every activity and did lend the summer an air of both anxiety and anticipation.
Q: Despite the fun the girls have together in "The Summer Before," they're all dealing with pretty tough problemsâ"moving away, an absentee father, a first crush. How did you choose the issues you wanted to focus on?
Martin:Â One of my favorite things about writing a series was that the characters themselves generated plot ideas for later books. One of the themes that developed as the series progressed was that of Kristy's relatio! nship with her father. It was an idea I enjoyed exploring, and when I had the opportunity to write the prequel I realized that this summer would be a charged time for Kristy, and that I could introduce the issues she had with her father here; then they could unfold in the later books. The same applied to Stacey. Her reasons for moving to Stoneybrook had been revealed in later books, but I realized that during this particular summer the reader could actually watch the events take place. The other issues â" a first crush, wanting more independence yet still feeling like a kid--are themes that I felt would resonate with most "tween" readers.
Q: Even though the books have been out of print for ten years there are still some very devoted fans. Surely you must have received a ton of letters about the series over the years. Are there any that stick out in your mind?
Martin: The most memorable are stories of girls who have ! written to me and told me that Iâve made an impact on their ! lives, t hat The Baby-sitters Club books have turned them into readers. Some have also said that the BSC books made them aspire to become writers. Iâve also heard from a lot of the original fans who grew up to become teachers, librarians, editors, journalists, entrepreneurs, etc. To know that this series inspired a generation of readers and writers is very humbling.
Q: Thereâs been a lot of speculation in the blogosphere about where Claudia, Kristy, Mary Ann, and Stacey would be now, in 2010, had they grown up. Do you have any thoughts on what path each would have taken?
Martin:Â I understand the fascination of the older BSC fans who would like to know what happened with the characters when they got older. Itâs thrilling to realize that after all these years the fans remain passionate about the books and the characters in The Baby-sitters Club. I can see Kristy running a business--I can also see her being in politics. ! I think Mary Anne became a teacher. I imagine Stacey went into fashion--not as a designer, but maybe on the business side. And Claudia became an artist. I think fans can fill in for the rest of the characters!
As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that man! ages to be genuinely patriotic (in celebrating the camaraderie! of sold iers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon
Beyond Flags of Our Fathers
| Other World War II DVDs | Essential DVDs by Director Clint Eastwood | Flags of Our Fathers by James Bradley |
One of those young Americans was John Bradley, a Navy corpsman who a few days before had braved enemy mortar and machine-gun fire to administer first aid to a wounded Marine and then drag him to safety. For this act of heroism Bradley would receive the Navy Cross, an award second only to the Medal of Honor.
Bradley, who died in 1994, never mentioned his feat to his family. Only after his death did Bradley's son James begin to pi! ece together the facts of his father's heroism, which was but one of countless acts of sacrifice made by the young men who fought at Iwo Jima. Flags of Our Fathers recounts the sometimes tragic life stories of the six men who raised the flag that February day--one an Arizona Indian who would die following an alcohol-soaked brawl, another a Kentucky hillbilly, still another a Pennsylvania steel-mill worker--and who became reluctant heroes in the bargain. A strongly felt and well-written entry in a spate of recent books on World War II, Flags gives a you-are-there depiction of that conflict's horrible arenas--and a moving homage to the men whom fate brought there. --Gregory McNameeFLAGS OF OUR FATHERS SPECIAL COLLECTO - Blu-Ray MoThematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by Ja! mes Bradley (with Ron Powers), and adapted by Million Dolla! r Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â" and resentful pawns in a wartime publicity campaign â" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.
As the surviving flag-raisers reluctantl! y play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate fu! tility of war. Eastwood's follow-up film, Letters from Iwo ! Jima , examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon
Beyond Flags of Our Fathers
| Other World War II DVDs | Essential DVDs by Director Clint Eastwood | Flags of Our Fathers by James Bradley |
Based on James Bradley's Flags of Our Fathers for adul! ts, this abridged version for younger readers retains the somewhat terse drama, intense heartbreak, and bittersweet triumph of the original narrative. Through his research on the event and the soldiers (three of the men were killed in combat within days of the flag raising), Bradley explores the dubious nature of heroism and the devastating effects of war. (Ages 14 and older) --Emilie CoulterFrom Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven) comes the World Was II epic Flags of Our Fathers, produced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindlerâs List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest ba! ttles of the war was the struggle for the island of Iwo Jima, ! which cu lminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradleyâs father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never kne! w the full extent of his fatherâs experiences until after the elder Bradleyâs death in 1994.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) w! hile emphasizing how three of the surviving flag-raisers (play! ed by Ad am Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â" and resentful pawns in a wartime publicity campaign â" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.
As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models dur! ing times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon
Beyond Flags of Our Fathers
| Other World War II DVDs | Essential DVDs by Director! Clint Eastwood | Flags of Our Fathers by James Bradley |
As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-rai! sers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon
Beyond Flags of Our Fathers
| Other Worl! d War II DVDs | Essential DVDs by Director Clint Eastwood | Flags of Our Fathers by James Bradley |
As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism ! in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon
Beyond Flags of Our Fathers
| Other World War II DVDs | Essential DVDs by Director Clint Eastwood | Flags of Our Fathers by James Bradley |